Located on the side of the highway in the entrance to Toluca, in the edge of a 300-meter long generic industrial complex that used to go unnoticed, the new object appears with the spectacular nature of a window display. Half way between Mathias Goeritz’s “The Snake” and Edvard Munch’s “Scream,” this zigzagging origami rises from the garden level and becomes the entrance to a magical world, to the tour of the chocolate factory that rivals Tim Burton’s imagination.

Thus, a back staircase engulfs the groups of students with a trumpeted and faceted prism. The triangles of the unfolding kaleidoscope are made out in different shades of white to accentuate the different planes. The lobby opens up over a generic view of high voltage towers, billboards, and highway to give way to the groups of visitors between the information desk and the chocolate-bar shaped sofas.